The Video industry has changed drastically in the last 10 years, 3D stereoscopic has come (and gone) and video resolutions have risen to 4K and beyond. As demands for providing video content for ‘every platform, everywhere’ reach a crescendo, digital content providers are challenged with achieving speed to market. Video...
Introduction In my AI blog series, I have discussed the power of inductive logic and its weakness – a vulnerability to Black Swans. There are many possible realities which fit with known facts, only some of which are desirable – or anticipated. And so it is with the recently announced CPU...
eSports is a sports category that is going through rapid growth. Newzoo, the leading provider of market intelligence covering the eSports market, predicts that in 2017 eSports will generate global revenues of $696 million, up 41 percent from $493 million in 2016, and is expected to have an audience of...
Anticipation for IBC 2017 is heating up and #TeamForscene is already revving the engine. Sparks have been flying in the Forscene lab over the last few months and we just can’t wait to unveil the results! Technology licensing For the first time, Forscene technology can be licensed to transform video...
Why Forbidden? People often ask me this. They are asking about the name, of course, but the bigger question is about the company itself. This is important because Forbidden is a visionary company. I set up Forbidden to make something special: a universally accessible internet video experience through powerful but...
You’ve put on a great, sold-out music gig to thousands of excited fans. The music has finished, the band is packing up… is the excitement is really over? It doesn’t have to be! Here are three post-event strategies to keep you’re fans hyped for more. Behind-the-scenes video Fans go absolutely...
Award-winning TV professional Jo Woolf runs courses in edit producing for several organisations, including DV Talent, Indie Training Fund, the Channel 4 Production Trainee Scheme, and Birkbeck University. Jo’s one-day courses are an introduction to the sought-after role of Edit Producer. As an increasingly conventional role in factual television, the...
RDF Television uses Forscene for convenient storage, remote access and editing of its media throughout long-term reality film projects. The company produces over 100 hours of network factual television every year for principal broadcasters, filming contributors from all across the country. Unnecessary investment RDF needed a solution to support a...
